Liturgical
Guitarist
TIPS (Performance Ideas)

Even though the majority of the hymns are in C major, try
avoid playing more than two consecutive songs in the
same key. You might even resort to using a capo to alter
the key.
Artistically vary the tempo and volume.

Remember, melody is louder than bass, which is louder
than the inner voices. DON’T try to sound like the
computerized version—feel the music!

I like a flowing, musical sound, but, as Bobby Fisher once
pointed out, I occasionally overdo the eighth notes.
Consider these arrangements as sketches and feel free
to drop or add notes to best suit your style or ability.

These arrangements are also suitable as simple,
Carcassi-like exercises for classical guitar students
interested in playing at church. In fact, the first
arrangements were written at the request of one of my
students who heard me playing at Mass.
I am not much of a
self-promoter, but the
Mass Preludes CD is a
good source for
performance ideas. It is a
definite improvement over
the computerized version
and it helps to offset my
costs for this website. Plus,
its not bad listening, either.
You'll find
individualized
performance
notes for each
arrangement,
just below the
sheet music.
You might find
some of the
lessons and
easy pieces I
made for my
Schola
Cantorum class
helpful if you
are a beginner.
These are also
freely available
online.
My fingerings
aren't the only way,
but I try to make
sure they give you
the easiest, most
efficient way to play
each piece.
Liturgical
Guitarist's
Hymnal (LGH)